clamping, welding, and chet baker

LEGENDS PARK- here comes the sun

i'm trying to catch up on my blogs but this is still about work that was taking place over the summer. probably late august early september.

the big sheets of brass came in. i've never seen sheets of brass so big to be quite honest. these were the size of sheet rock. 4'x8' sheets.

so the first thing i had to do was lay out, to scale, the sun. i got big sheets of cardboard, made some quick measurements and started sketching it on. i would draw, hold it up to the bat, draw, erase, hold it up to the bat..... until i finally got it right.

a lot of time up here

a view from my drum set in my studio. sometimes i sit and play while i think about what i'm doing next. or don't think about what i'm doing next depending upon what it is i need.

after i've gotten the sun drawn to scale, i cut the shapes out, numbered them to keep them in order, and traced them onto the sheets of brass.

after all the pieces are laid out, i cut them out with the plasma cutter. an awesome piece of equipment.

Plasma cutting is a process that is used to cut steel and other metals of different thicknesses (or sometimes other materials) using a plasma torch. In this process, an inert gas (in some units, compressed air) is blown at high speed out of a nozzle; at the same time an electrical arc is formed through that gas from the nozzle to the surface being cut, turning some of that gas to plasma. The plasma is sufficiently hot to melt the metal being cut and moves sufficiently fast to blow molten metal away from the cut.

once i get these cut out i have to lay them back out and match them up and weld them back together. first i had to learn all about stacking dimes. that's basically creating a weld that when you step back, looks like a stack of dimes you've just pushed over.

my first shot. NOT a stack of dimes but a good weld all the way through and that's what you want! i can work on the cosmetics of my weld later.

a lot of hours were spent arranging, propping up, clamping down and welding to get to this point. so it'll be this, times two, the center circle times two and all the sides.

scenes from the warehouse

marks' parts

LEGENDS PARK- Field Trip to Phoenix

Though I have two other public art pieces under my belt, it is not lost on anyone that Legends Park is my first LARGE piece. When discussing all the here and theres, and how important it is to me that I do every bit of these piece that I can; and that if I can't do it now, I want to leave the project knowing that I can next time; Mark got it. He knew that not only was there technical work to be done, there was network to be done.

At the end of this project I know I can stand back and say that not one piece was made by a machine. No computer designed parts, cut out and pieced together. No big machine rolling the bat. Every piece was made by hand. Mine or Mark's none the less, but made by hand. Hand forged. Rain, sleet or snow. Hot or cold. Like 27 degrees cold. But who's counting. All at the Rozelle Warehouse.

That said, I also know you can never have too many resources. So, we headed on down to President's Island to meet Lonnie, the owner of Phoenix Manufacturing.

When we walked in Lonnie came up and said, "Mark the artist! Of course I remember you! Been a long time. How in the hell are you?" I got a big laugh out of it. Particularly because I already know a "Gary the artist". It's kind of funny when you're an artist how many times you'll be referred to as "the artist".

("Hey, 'Mark the artist', tell me about ART Farm." -on going inside joke that will most likely be revealed at a later date as much as it comes up)

Introductions were made and stories were shared and then Mark and I headed out to tour the facilities. Immediately I see the new laser cutting machine that Lonnie was bragging about. If you look closely in the next photo you'll see that what looks like a chandelier is actually a hydraulic arm with suction cups on it that is capable of picking up large sheets of metal and moving them from point A to point B.

Sheets large enough and heavy enough that would take several men and man hours to maneuver from job to job. Now it's done in a matter of minutes. If that. Likely a topic that Mark and I would get on and dissect in great detail and passion; that of how machines have replaced human hands and computers are robbing us of our connection to nature and those things around us.

Okay, okay .....back to the field trip. Some of these pictures are blurry because they are taking with my cell phone, pretty much on the run trying to keep up with these two guys.

negative sheet of steel from laser cut letters and machine parts.

Another negative drop sheet again. This time a flower pattern.

Super rolling mill. Could have rolled the bat. Ghostly boots.

Fire pit that Lonnie was making for himself and Mark telling him how he would forge that by hand.

Giant drill bits and a new take on a ceiling fan. That would be of the hanging from the ceiling variety.

After the ceiling fan I rounded the corner and found this.

Yep, we're in a machine shop.

Lonnie's office and another "Big Fish" story. Though this one was a hand made fish a friend had given him.

The whole visit was intriging. All of the heavy duty machines really gave me some insight on how things are manufactured large scale and the scope of what can be done. And the, what to some would seem offensive and chauvinistic, atmosphere just affirmed to the feminist in me that I'm in a place in my life now that in 'kind' environments, I prefer to accept differences and pass on judgement. Particularly since he passed on judging me; a woman in a man's world. Lonnie was great. Really liked him.

The sign on Lonnie's office door. I have a particular affinity to it.

When we left, Lonnie gave Mark a calendar. Here we have left the building and Mark is trying to look the part.

He threw the calendar away when we got back to the studio. Sorry Lonnie. He looks like a heavy metal tough guy but he's really just a teddy bear. "Mark the teddy bear".